I realise this is starting to seem ridiculous. I can hardly
believe it myself. But I received another four typewriters today. That makes 12
in three days, six of them gifted. The downpour ends here, however. Tomorrow is Saturday and I don’t
expect to see another addition to the collection until Monday at the earliest (an
Erika).
So yet again I have four typewriters to show and I still haven’t
had a chance to post on any of them individually. Maybe tomorrow …
As I had mentioned in my two previous "Typewriters From Heaven" posts, my first port of call today was to
Forrest to pick up a gift from a reader, what I was told was an “Underwood Imperial”.
I was prepared for any surprise, but fully expected it to be an Underwood
Universal, and it was: a delightful example of the first typewriter I ever
used, back in 1957, aged nine. Naturally, I have a particular fondness for
these models.
It wasn’t working at first, but as I expected, a degrease and
lube quickly brought it back to life, and now, once again, after many years of inaction,
it is typing beautifully.
This portable belonged to Angus Conrad McKay, BVSc (Sydney 1925),
Canberra’s very first veterinary surgeon.
McKay was appointed in 1926 by
the Federal Capital Commission and
was responsible for supervising the
supply of meat
and milk and for providing disease
control and advice to
livestock producers throughout
the territory.
McKay’s son, Dr Bill McKay, showed me the magnificent rolltop
typewriter desk at which his father had used the Underwood. A wooden tray was pulled out from above the
drawers on the right side of the desk, on which to place the typewriter.
I went from there to my storage units in Fyshwick to collect my
Facit TP1, to compare it with the TP2 for my upcoming post of these two models,
and picked up a beautiful old Erika four-bank, a Rheinmetall, an Underwood 5 and a
Smith-Corona Silent Super for the exhibition while I was there.
No sooner had I got home than I received an email from another
reader, Tom Roberts, telling me he had his father’s Tradition 3 to give me.
I was so excited by this new mystery, I got straight back in the car and immediately drove over to Reid to collect the Tradition. On the way there, I racked
my brain trying think what the “Tradition 3” might be – hardly giving a thought
to the possibility that it might be, indeed, a “Tradition 3”. I hadn’t had time
to check on the Internet – not that that would have done me much good, because
when I checked later, no Tradition typewriter came up.
When I got to Tom’s house, and saw his father’s machine was a
Tradition 3, I realised straight away it was a rebranded Olympia.
I remembered
that many years ago I saw one come up for sale, and asked fellow collectors and
typewriter historians about it, to be told it was another name for an early Olympia,
perhaps an export version.
Finally, from among the 12 "new" typewriters I have acquired in the past three days, here was a real "find"! A true rarity.
As I was leaving with the Tradition, Tom mentioned he had another
typewriter in the shed, which I “may not be interested in”. But I’m interested
in all typewriters, so I took a look. It was an Italian-made Olympia Splendid. I included one of these in a post some time ago, when looking at latter-day plastic Chinese and Italian-made typewriters and their unmistakable similarity.
With that I returned to the storage units in Fyshwick and collected
an Olympia Simplex and an Olympia SM1, to compare them with the Tradition, and
also a red Olympia Splendid 99, one of the original Splendid series (33, 66, 99), to compare with the much later plastic model (no comparison at all, really!).
When I got home and looked at the Tradition beside the Simplex (which was produced with the Elite and the Progress from around 1932-33) and the SM1, it struck me that the Tradition looked as if it could be placed somewhere between the two. The SM1 first came out in 1949.
While I was in Fyshwick, a workmate gave me a deep red Consul 231.2 to
add to my collection of Czech-made typewriters. A full Consul post is on its way, I promise.
So, all in all, it was yet
another day made in typewriter heaven!
This tool box came with the Tradition. I wonder what the little "corkscrew" device was used for?
My wife would balk at them coming in groups of four. Also, I can't stop thinking of "fiddler on the Roof" now.
ReplyDeleteThis comment has been removed by the author.
ReplyDeleteIt's a glut!!
ReplyDeleteI have never seen or heard of a Tradition before. Great find.
Surely the corkscrew device was to help you open a bottle of wine, so you had a glass on hand for your writing!
ReplyDeleteThe ultimate in bourgeois typing accessories perhaps?
On a side note, how nice is it to see my initials on a typewriter. Even if I'm guessing it really just means 'shift key'.