Experience dictates that there will be days when one makes good
and satisfying progress with the typewriters one is working on, and there will
be days when one won’t. On those last mentioned days, the thing to do is to put
the troublesome typewriters to one side and stamp on that sense of frustration by taking out a
beautiful old typewriter, one in excellent working order. And either just
admire it, or type with it, preferably the latter. It makes one feel much better about oneself.
Today was one such day. I needed to change a few things on the
FuNkOMaTiC, reverting to the base of a Nakajima ALL from a preferred Silver-Seiko
(there are subtle differences, believe it or not), and there were delays with
that. While I was able to reset the mainspring and reattach the drawband on a
gorgeous old, shiny black Imperial standard desktop, the ribbon vibrator still
left me with a problem.
The holdups meant I was unable to collect another 20 typewriters
from storage to add to the 40 I had brought back home in the previous three
days, putting me further behind schedule on that particular pressing project.
So at midday I abandoned all those tasks and instead opened the case of my Adler Model 32 portable typewriter,
gasped yet again at its sheer beauty, and then, for the first time in the month
since I acquired it, I began to type on it. How I had managed to resist doing
so earlier is one of those unanswerable questions, I’m afraid to say. Things
just plum got in the way.
I took possession of the Adler Model 32 on the evening of the
opening of my typewriter exhibition, on July 14. I can’t say that had I owned
it earlier, it might have been included in the exhibition, certainly not at the
expense of my Klein Adler 2 (below). Nonetheless, surrounded by the 101 beautiful
typewriters that are on display, this
one still stood out. It would be no exaggeration to say my eyes feasted upon it.
Lothar Gerhardt, a retired management support provider, came
down from Newcastle, 283 miles (453 kilometres) north-east of Canberra, to
attend the typewriter exhibition opening, bringing his charming wife and his fantastic,
exceedingly well-preserved Adler Model 32 with him.
Until Lothar first showed me the Adler, I had been under the
mistaken impression that Adler had persevered with thrust-action typewriters,
including portables such as the Klein Adler No 2 (1925), which is in the exhibition,
and the Favorit (1935, seen with the Klein Adler 2, below), to the total exclusion of frontstroke machines.
However, on checking Wilf Beeching’s Century of the Typewriter
and also the European Typewriter Project website, put together by Will Davis
and the late Tilman Elster, I discovered that Adler did indeed make frontstroke
machines before World War II, dating from the standard-sized Model 31 of 1931.
The Model 32 appears to have been the first Adler frontstroke
portable and it clearly dates from 1931 or 1932 (Beeching says 1932), even before the Favorit first
came out. Tilman pointed out there was an upgraded version of the thrust-action Klein Adler 2
which was first made in 1929 and called the Adler Model 30.
Tilman Elster dated his Adler Model 32 (below) from 1933 and gave the
serial number as 431976.
An Adler Model 32 (below) now on sale through an American online store called ICandy Collectables (price $US175, $A166) has the serial number 455922 and the seller dates it from 1934.
An Adler Model 32 (below) now on sale through an American online store called ICandy Collectables (price $US175, $A166) has the serial number 455922 and the seller dates it from 1934.
My Model 32 has the serial number
589962, which would suggest it was made much later in the 1930s. Certainly, when production resumed after the war, Adler started making a small portable called the Privat (1952).
Lothar, however, says the Model 32 I
now own was bought in 1932 by his father, Heinrich Gerhardt, in Kassel, 193 kilometres north-east of Frankfurt. The changed style of the Adler decal, aligning it with the 1935 Favorit, would add to the impression that my Model 32 is a mid-30s version.
Lothar’s family migrated to Australia
in 1954, bringing Heinrich’s Adler portable with them. However old it now is,
80 years or slightly less, they have taken extremely good care of it, as can be
seen from these images.
Very nice! I love these German machines and would enjoy any of the Adlers. The styling is generally understated and the mechanical bits are well made.
ReplyDeleteThe Germans do seem to be up quite high in the ranks when it comes to mechanical engineering in miniature.
ReplyDeleteSo that's what the fellow was doing at the opening with a typewriter on a table, when you signed my copy of your book - he was giving it to you. You're 'give one away get two back' typewriter theory is still standing true. Are all of the ones that you're given like this though? Great quality, not dime-a-dozen and amazingly well maintained? I guess not.
That design is gorgeous! The front somehow reminds me of the Noisy Noiseless.
ReplyDeleteWhat a wonderful machine! The Gropius eagle apparently dates to 1930.
ReplyDeleteThat truly is a beauty. I have noted photos of the model online, but never gotten my hands on one. Thanks for your report!
ReplyDeletehttp://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=330814910176
ReplyDeleteI came back for another look and just realized how much it looks like my Triumph Mod6. The slots in the paper table, ribbon selector and segment screw arrangement are identical. It appears to be the same machine with a different cover. No wonder it types so well!
ReplyDeleteI won the Adler 32 mentioned in the anonymous comment above this one. Great typewriter! It is very easy to use, about as light as an Olympia SM8 or SM9 from much later. The top piece is plastic, at least on mine. As Dwayne says, the basics are identical to Triumph portables.
ReplyDelete