PART
174
The story of the arrival of Otto Petermann in
America in 1904 is based on precise known details about people, places, dates
and events. However, it is in part a fictionalised account, tying all these
details together.
Otto Petermann in his workshop with his Corona 3 prototype
The Hamburg-America Line’s SS Graf Waldersee docked at the East
River Pier on the southern tip of Manhattan Island, New York, on the morning of
Thursday, October 6, 1904. Thus began the American life of one of the most
unlikely heroes in typewriter history.
At that moment the Graf Waldersee moored, however,
no thought was being given to typewriters by steerage passenger Otto Petermann,
from the hamlet of Hedingen in Switzerland.
Had he even been allowed up on to the upper decks of the Waldersee, to
gaze in the lobby upon the portrait of Alfred Ludwig Heinrich Karl Graf von
Waldersee, once chief of the Imperial German General Staff, scribbling notes at
his desk, it would not have occurred to Petermann that his own immediate future lay
in designing a far easier way to write, the ultimate successor to the pen.
Uppermost in his mind on his arrival in New
York City was Petermann’s sense of relief that the rough Atlantic autumn
crossing had ended. It had only been 11 days since Petermann and his two Swiss
friends had left Paddington Station in London by early morning train and boarded
the Graf Waldersee in Plymouth. But their seasickness, and the cramped and
unsanitary conditions in steerage on the Waldersee, had tested their powers of endurance,
and their determination to start new lives
in America. Of the 2546 passengers on that voyage, the vast majority were
crammed into steerage, with barely a place to lie down and suffer in silence.
Steerage passengers, Graf Waldersee
Yet the adventure of these three young men was
only just beginning. The respite of their landing in New York was soon overtaken
by a sense of haste to reach North Philadelphia in the least time and at the
least expense. They were seriously short of funds. Other steerage passengers, seemingly well
informed by families already settled in the United States, had warned them that it might take as long as
five or six hours to be ferried from the Graf Waldersee to Ellis Island, and
then be “processed” by the Public Health Service and the Bureau of Immigration.
That might, in turn, mean having to pay for a night’s accommodation in New York
City.
Hedingen. Petermann's home village
The three young Swiss men had just $125
between them, to last until they could find work in Pennsylvania. Hermann
Schneider, a 20-year-old pastry cook, had $50 to his name, Ernest Yaisly, a
24-year-old upholsterer, $40, and the oldest among them, 28-year-old Petermann,
a mere $35. Petermann had at first in Plymouth entered $25 under the heading of
“Whether in possession of $50, and if less, how much?” on the Graf Waldersee’s manifest
list. But upon ferreting through his pockets, he had found the equivalent of
another $10 in coins, crossed out the $25 and written in $35. He also decided to
be more precise about his occupation, crossing out “builder”, an undertaking
well below his capabilities and qualifications, but one which he had had to
take on in London in order to make and save money. Instead, Petermann inserted
“machinist”, a job he had been trained to do at technical school in Switzerland,
and hoped to resume in the US.
Currency was not an issue, it was the amount
of it that mattered. Schneider, Yaisly and Petermann had been living and
working in menial tasks in London for the previous two years. It had taken them
that long to save the cash to complete their journey across the Atlantic. The odyssey
had thus far taken them from their homes, seven miles south-west of Zurich, to
Hamburg, and on to Boulogne-sun-Mar and then Dover. In England, between them
they had raised sufficient money to pay for the rest of the way, for steerage berths buried in the hull
of the Graf Waldersee, and then to reach Philadelphia. There they had friends
with whom to stay, until they could get back on their own feet. Schneider and
Petermann were headed for 1232 Buttonwood Street, where their florist friend
Fritz Bähr and
his wife Anna lived. Their English was not yet good, and their interpretation
of their intended address was not Buttonwood, but perhaps typically Swiss: “Butterwood”.
Yaisly would stay with waiter Ernest Hauri, from Seon, and his wife Maria at
455 North 13th Street. It seems there was a small enclave of Swiss-German
migrants living in North Philadelphia at the time.
Ellis Island arrivals, 1904
Before Scheider, Yaisly and Petermann could
begin thinking about the next stage of their trip, however, there was Ellis
Island. The three had to wait until first- and second-class passengers
disembarked and were ushered through Customs at the East River Pier. Only then
were the third-class and steerage passengers able to board the barges to take
them across the Hudson River to Ellis Island, for their medical and “legal” examinations.
Petermann’s papers were in order and he was
evidently in good health. Still, he was astonished by the line of 29 questions
he was asked in the Great Hall, the Ellis Island registry room. Was he a
polygamist? An anarchist? Had he ever lived in an almshouse, or an institution?
Was he deformed or crippled in any way that the six-second physical test had not
revealed? What about his mental health? And had he been solicited in any way to
come to America? Petermann was cross-examined by the primary legal inspectors against
the answers he had given in Plymouth on the Graf Waldersee’s manifest list. He passed.
Late that evening, Petermann, Schneider and
Yaisly were able to catch a train directly to North Philadelphia from the
Pennsylvania Railroad station at the foot of West Twenty-Third Street. A heavily
draining 44 months later, Petermann would return to this same vicinity of New York
City, his prospects looking a great deal rosier than they had previously appeared.
Indeed, the path ahead in each of the lives of these three young Swiss migrants
would ultimately become much brighter. Schneider would eventually become a chef in
Windham, Connecticut, and Yaisly, who returned briefly to Switzerland in 1910,
would own his own upholstery factory in Greenburgh, New York. In the short term,
however, things seemed to be very grim indeed.
What exactly the 28 months after his arrival
in the US held for Petermann we do not know. We do know that by early 1907, he
was back in New York, broke and desperately looking for work as a machinist in
the one industry that appeared to be growing and hiring – typewriter
manufacturing. But, lacking experience, Petermann had been rejected by one
typewriter company after another.
On Wednesday, February 20, 1907, Petermann’s
diary records that he spent his last cent on a copy of the New York World, to search
the classified advertising section for work. He found no suitable vacancies.
Petermann had already been turned away once by a company which had been formed earlier that very month – the Rose Typewriter Company, headquartered in a dark
little loft at 2234 Eighth Avenue. But he decided to try his luck there again,
and walked to the Rose office, this time handing in a written application
addressed to the company’s president, lawyer and publisher Marshman Williams
Hazen.
Hazen must have been taken by the
30-year-old’s persistence, for he replied, inviting Petermann to an interview
one week later. On February 28, Hazen and Petermann talked for two hours about Petermann's work experience and qualifications, before
Hazen offered Petermann an opening as a drill press operator, at $12 a week,
with the chance of a $2 rise after one week, if his work proved satisfactory. Petermann started work at the Rose factory at 10 o'clock the
next morning, Friday, March 1, having survived those nine days with barely a
cent to his name. The $12 salary must have seemed like manna from heaven.
Petermann celebrated his new-found fortune with a "knockwurst" [knackwurst = sausage] dinner.
Otto Petermann is in the centre, back row, with a group of
Rose Typewriter Company workers, New York, 1909
At the Rose factory, Petermann was not slow
in suggesting changes to Hazen, voicing his opinion from day one on simplifying
parts for the folding portable typewriter. But it was a year, to March 1908,
before the first of these machines left the production lines. Three months later
the company moved to a larger factory, at 447 West Twenty-Sixth Street - Hazen
and Petermann had already begun to plan the next generation model of the Rose
machine.
Conger, left, and Fassett, right
One year on, the course of typewriter
history would change forever. It is well recorded that a consortium led by Benn
Conger, and including businessman, lawyer and politician Jacob Sloat Fassett, took
over the Rose company, and in July 1909 renamed it the Standard Typewriter
Company. Hazen, through ill-health, left the business to live with his brother
in Boston, where he died on July 23, 1911, five days shy of his 71st birthday.
Otto Petermann, left, Jacob Fassett, centre, and Benn Conger, right,
at the 1912 launch of the Corona 3
Conger and Fassett offered Petermann an
on-going role with the new company, but he would have to re-locate to Groton.
Although some of his fellow workers apparently believed, in all earnestness,
that they risked their lives living among Native Americans in Groton, the
“valiant soul” that was Petermann elected to make the move.
Petermann, left, and Brown, right
But he had been given a massive incentive.
Petermann was to be in charge of re-designing the Standard folding typewriter,
in the process creating the legendary Corona 3. Typewriter production resumed
in Groton in August, with Petermann opening his “experimental department” on
August 31. His first task was to type on a sheet of blueprint paper a list of
32 improvements he planned to make to the Standard folding. Petermann, however, did not have ultimate
control over the way in which the Corona 3 was shaped. He was working under Carleton French Brown, a
civil engineering graduate who was an investor as well as the company’s new
general manager and treasurer.
With his employment and income now secure,
Petermann, still a bachelor at the age of 35, started to make changes to his
personal life. Until 1910 he had been boarding in Groton with fellow Corona
factory workers, but that year his mother, Sophie (born 1850), and his widowed
older sister Sophie Keller (born 1874), came to live with him from Wald in
Zurich, along with his young nephew, also Otto (Sophie and Otto Keller later
reverted to the surname Petermann). To almost complete this settled life, Otto
Petermann became a naturalised US citizen at the Tompkins Supreme Court on July
13, 1915. His mother died on February 24, 1918, aged 68.
On June 22, 1922, Otto Petermann married a
much younger fellow Swiss native, Emma Rubin (born Unterseen, July 27, 1898).
Emma had arrived in the US in 1921 and was naturalised in Chicago the next year.
On July 15, 1923, they had a son born, Hans-Jörg.
Such was the financial well-being of this happy
little Groton family, Emma was able to take Hans-Jörg back to Switzerland to
visit family and friends in 1925. (Note: Those wishing to trace this family
history should be aware Otto and Emma’s surname was also spelt Peterman and
Petterman on various official documents.)
But while Emma and Hans-Jörg were away, all
was not well on Otto’s work front. Changes were happening at Corona, and Otto
was becoming increasingly less enamoured with the company to which he had
devoted 18 years of his life.
'Crossover' Corona 3, left, later Corona 3, right.
Petermann’s Corona 3 was an enormous
commercial success, selling 610,000 units from 1912-1924 and making many millions of dollars for Corona (they sold for $50 each). But the facts of life
back then were that Petermann was paid a set wage as a Corona employee, to come up with
designs and improvements, These were patented in his name, but assigned to
Corona. There were 32 of them all told. Petermann, who by 1925 considered
himself a promoter as well as an inventor at Corona, was not paid one red cent in
royalties.
Avery
By 1924, younger men, men like Henry Allen
“Al” Avery, who had started as an apprentice with Corona in Groton on day one back in 1909, were
breathing down Petermann’s neck in the development department. Other designers,
such as Edwin Leander Harmon, were also getting in on the act. Corona no longer
relied almost entirely on Petermann. Disenchanted over the royalties issue, Petermann
decided he no longer had to rely on Corona.
When Corona and L.C.Smith merged in January
1926, Corona and its greatest designer parted ways. Petermann remained in
Groton and continued to classify himself as an inventor, but he was now an
independent, working for the like of the American Hardware Corporation of
Connecticut. He started patenting door knobs and water heater attachments. By
1940 he was the proprietor of a novelty manufacturing factory. He was still
designing up to 1946.
Otto Petermann died in Groton on October 17,
1961, aged 85. His widow Emma lived another 17 years, and died in San Diego on
November 7, 1978, aged 80. They are buried together in Groton, alongside Otto’s
mother.
Petermann’s typewriter designs, of course,
live on, more than a century later, in the tens of thousands of Corona 3s still
tucked away in private homes, on display in any number of places, and or in
hundreds of collections right around the world. So, too, did they in
Hewlett-Packard computer printers, the 1992-93 design of which referenced
Petermann’s 1915 Corona 3 carriage movement. Even modern door knobs have the
Petermann touch on them.
But Petermann’s final Corona 3 patent was
applied for in 1922, and issued after he had left the company.
Petermann’s last designs for Corona were
contained in four patents applied for by Avery after Petermann had ended his
association with the Groton company, on this day (November 13) in 1926. They
were co-credited to Avery and Harmon and assigned to L.C.Smith & Corona.
All four were for the machine which succeeded the Corona 3, the Corona 4. At
least Petermann continued to have an input into the advance of portable typewriters
right up until his sad departure from the Groton plant.
Great research Robert. And Those Corona 3 machines are always interesting to see....
ReplyDeleteOh, and that Red Corona 4 is beautiful!
Wow, I didn't know that Petermann was from Switzerland - let alone that he was from Hedingen, only a dozen kilometers from my current position. Thanks for another very interesting post!
ReplyDeleteGroundbreaking research. Thanks again.
ReplyDelete