Ernest Hemingway's Erika 3 Folding Portable Typewriter
The young Ernest Hemingway
American writer Jeffrey Robinson emailed me overnight, saying he owns this Erika folding portable typewriter upon which Ernest Hemingway wrote his brilliant 1926 novel The Sun Also Rises. It's almost too good to believe, that one of my all-time favourite novels was written on one of my all-time favourite typewriters (my own version is the Bijou folding, see below).
Jeffrey Robinson
Quite aside from Robinson's possession of the Erika, it reveals details about Hemingway and his first two typewriters, and the one used to write The Sun Also Rises, which - to the best of my knowledge, anyway - have hitherto remained unpublished in print or online.
It is well known that Hemingway's first typewriter, a Corona 3 folding portable, was given to him on July 12, 1921, as a 22nd birthday present, by Elizabeth Hadley Richardson (1891-1979), who would become Hemingway's first wife. (She thought it was a 23rd birthday gift, believing Hemingway to be a year older than he was.) The couple were married in Horton Bay, Michigan, on September 2, 1921, and two months later left for Paris. Letters written home to his mother Grace in February 1922 confirm Hemingway was using the Corona 3 there at that time. See my post on the subject here. Also the Vanity Fair article here.
Later, Hemingway also used a range of Royal portable models, including an Arrow, as well as an Underwood Noiseless 77 and even, as some claims would have it, a Halda Model P. But his purchase of an Erika folding to write The Sun Also Rises is a revelation, at least to me.
Jeffrey Robinson wrote to me after stumbling across my post on Hemingway's Corona 3. He explained:
"I ... thought you might like to know the rest of the story. I got this information
from [Hemingway biographer] Carlos Baker (1909-1987) when he was at Princeton.
"Hemingway was on his way to Pamplona
for the first time [in July 1922]. He took a taxi to the Gare de Lyons (I think that's right)
and got into a fight (probably about the fare) with the cab driver. In those
days, luggage sat in an open space next to the driver and not in the back with
the passenger. As the two argued, the driver got so frustrated that he tossed
Hemingway's luggage out onto the street, including the bag (box?) with the
Corona. It smashed.
"As soon as he got back to Paris, he bought a used Erika
(photo attached) on which he wrote The Sun Also Rises.
Sylvia Beach
With a wounded Hem
Jeanine de Goldschmidt
Pierre Restany with Arman
"When he left Paris, he gave
the Erika to Sylvia Beach, of Shakespeare and Company bookshop fame. She eventually gave it to an antique
dealer friend, whose daughter [Jeanine de Goldschmidt-Rothschild?] married the French art critic Pierre Restany. The
daughter inherited the typewriter.
"Restany was friends with the French-born American artist Arman who, among other things, used to slice up objects and
remount them. He called them 'Colères' and was famous for doing this with violins, for instance.
Arman's 1962 work, Infinity of Typewriters. It's a Corona 3 second from left, top row, not an Erika.
Arman's 1997 Heroic Times
"Arman
owned the Erika for many years. It sat on a shelf in his Riviera studio. He never
used it for one of his works because he didn't have an emotional relationship with
it, the way he did with musical instruments.
"In 1975, or so, he gave the Erika to
me, knowing that I'd appreciate it and take good care of it. I do and have. It
sits in my office, under glass, on my desk, not far from a Hemingway-era Corona and my old, ever-faithful 1944 Royal.
"Sometimes, not often but sometimes, I feel
sorry for young writers who will never know the joy of hearing their words click
onto paper."
Jeffrey Robinson was born in Long Beach, New York, in 1945 and graduated from Temple University in
Philadelphia in 1967. He served four years as an officer in the United States Air
Force and at the end of 1970 moved to a small village in the
south of France. He settled in Britain in
1982 and in 2007 returned to New York.
Fascinating stuff!
ReplyDeleteWhat a marvellous story. Now another typewriter I shall have to covet.
ReplyDeleteThanks for sharing Jeffrey and Robert. The life travelings of a typewriter are always very fascinating. And to have belonged to Hemingway... woa!
ReplyDeletethank you thank you!
ReplyDeleteVery nice. It's comforting to know that paper records that old can and do survive. There's just something about those folding portables.
ReplyDeleteThis really made my day. Thank you! I felt my heart sink when I read about the cabbie tossing out and destroying the Corona. What a delight to know the history of this Erica. Yet another typer to covet, for sure.
ReplyDeleteYet another good story!
ReplyDeleteDear Jeffrey,
ReplyDeleteWhat a wonderful story!....I came across your blog while researching a book about Jacques Villeglé (now aged 90), who was one of the Nouveaux Réalistes with Arman, Klein, Restany, and the gang. I just Googled Jeanine de G.'s name and up you popped. I lived in Paris in the 1980s and my brother Winston Conrad is the author of "Hemingway's Paris", so your typewriter saga resonates on many levels. My late father was the author of "Matador", a best-selling novel in 1952 that Hemingway commented about. Dad's best friend in San Francisco was the long-time columinist Herb Caen, whose words appeared in the SF Chronicle for some 50 years. I recently inherited one of Caen's typewriters, his "loyal Royal" as he called it. The clicktety-clack seemes to focus the mind...Ah, for the good old days of typewriters! Sincerely, Barnaby Conrad III
Barnaby, I have only just this morning stumbled across your kind words about my Hemingway's Typewriter saga. I can't seem to find an email address for you and anyway, it's now six years later. I have no idea if this will reach you, but if it does, please check out my attempt to reach you on Linked In. I can also be found there. I'd really like to say hello. Cheers/ Jeffrey
ReplyDelete