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Thursday, 19 February 2015

The Astoria Dunera Typewriter Mystery Deepens

Geoff Winter, who donated his late father's Astoria portable typewriter (SIM line) to the Australian Typewriter Museum, has written an interesting article about the Astoria for the latest edition of the Dunera News, a publication for surviving former refugees from Nazi and Fascist persecution, and their relatives and friends. These particular refugees were mistakenly shipped to Australia in the Dunera and interned at Hay in New South Wales and Tatura in Victoria, many later serving with the Allied Forces in World War II.
Geoff's story is headed "The Typewriter Mystery". It begins:
"My father, Ernst Winter, was interned at Huyton (near Liverpool) in Britain before boarding the Dunera on July 10, 1940, without many possessions, or so it seemed! He, like many of the internees, had their personal possessions confiscated. In his case, a gold watch, presumably stolen by the guards, and a suitcase of clothes which was thrown overboard. He never mentioned anything else, but we were told that sets of crockery we had in our family home were the only 'compensation' for his losses and persecution.
"In 2012, I went to see the exhibition A to Z: Robert Messenger’s Typewriters at the Canberra Museum and Gallery. A senior journalist with The Canberra Times, Robert Messenger is an avid collector of typewriters and had a collection of more than 1000 different models. There was a selection of 100 typewriters which he had been invited to put on display at CMAG. It was a very interesting exhibition, and it made me remember that I had the old family typewriter in storage, as modern technology had made it obsolete.
"My father had used it frequently, as he could not write clearly for an extended period of time. He had from birth a withered right arm and webbed fingers on his
right hand and consequently had to adapt from being a natural right-hander to being left-handed.
"However, my father never mentioned the origins of his typewriter (he died in 1984). So I contacted Mr Messenger and we met for a coffee at the CMAG and I brought with me this old typewriter. He had never seen my model before – it is an Astoria, and he was very interested in it and was most delighted to receive it as a gift for his collection. He examined it carefully and identified that it was Austrian and a pre-World War II model. It had the German alphabet for keys, including the letters with umlauts.
An ad for a Società Industriale Meccanica (SIM) Patria made in Turin, from the Georg Sommeregger Collection. The machine advertised is identical to my Astoria.
"In an article about the exhibition, which Mr Messenger wrote for The Canberra Times, he mentioned our meeting and about the typewriter brought over by my father on the Dunera. Soon after the article appeared, Mr Messenger was contacted by a reader who claimed that his father was also transported here on the Dunera, and his father had mentioned that any typewriters on board must have belonged to the internees, as the staff on board did not have any typewriters (this deficiency was reported back to the authorities in England on September 12, 1940 by Captain A.R. Heighway, Australian officer in charge of the disembarkation of the Dunera internees in Australia).
"At the time, Mr Messenger did not have this reader’s full details but told me about it, and naturally I was interested in getting in contact with this man. Mr Messenger tried by various means to get this man to identify himself,  and after several months he did 'come forward'. It turned out that he is Alan Morgenroth, a member of the Dunera association living in England. Alan’s father was Kurt Morgenroth. Alan has contacted Mr Messenger recently about another typewriter owned by internees.
The Hay Internment Camp
"Reinhold Eckfeld, a Dunera Boy who lives in Melbourne, was one of my father’s hutmates in Hay (Camp 8, Hut 29) and remained close friends. Reinhold claims he didn’t see any typewriters in their hut. He doubts that my father ever had it there as he would have had to carry the typewriter with him on to the Dunera (secretly?) and keep it in their hut. As my father had written letters using this typewriter while in Hay (I have his carbon copies), and he was secretary of the camp school in Hay, Reinhold suggests that maybe one of the guards lent it to him for use in one of the guard posts or 'offices'.
"But how would it have ended up in my father’s possession?And given that he had had this typewriter in England, before boarding the Dunera, maybe he did have it on board. And the typewriter being useful to the orderlies, it was not confiscated but kept by them in their office. All a bit of a mystery!
"My father was not physically abused on board, as so many Dunera Boys were, perhaps because he provided this very useful item to the staff. We would be most interested if any readers have any further information about this mystery typewriter."
Geoff overlooked to stress three vital points here. First, his father had escaped from Vienna to England in 1939. Second, inside the case of the Astoria is firm evidence that it was bought in Austria. Third, Geoff has in his possession a letter dated November 14, 1939, which proves the typewriter was shipped to him in England from Vienna.
There is absolutely NO possibility whatsoever that SIM line typewriters such as this could have been imported into Australia and sold here before World War II - especially not from Germany, Austria or Italy. This typewriter had to have been brought to Australia by someone who bought it in Austria. I believe Geoff's last two theories, about why the typewriter wasn't confiscated and why his father wasn't physically abused, are the most likely answers in solving this mystery.
It's uplifting to think that a typewriter saved a man, especially a refugee from the Nazis, from cruel and unjust beatings.

Wednesday, 18 February 2015

Army Typist=It's My Party

It was sad to hear that Lesley Gore had died of lung cancer in Manhattan on Monday, aged 68. I so well remember Gore's biggest hit, It's My Party, when it came out in 1963. Gore as just 16 at the time. She was born in Brooklyn on May 2, 1946.
Lesley Gore on Hullabaloo in March 1965
It's My Party is an anagram for Army Typist.
Gore was never in the army and she was not a typist. But the woman who recorded the demo of It's My Party was a typist. 
She was Barbara Jean English (above, 1946-). It's My Party was written in 1962 by John Gluck, Wally Gold and Herb Weiner, who were staff writers at Aaron Schroeder Music. English was a girl group veteran (The Clickettes, The Fashions) who was then working as both a receptionist-typist and, with Jimmy Radcliffe, serving as Shroeder's in-house demo singer. Radcliffe produced the demo and according to English "tried to persuade Musicor [the label owned by Schroeder] to release it as a record, or to take me into a master studio and redo it, but they weren't interested."
The first real recording of the song was by England's Helen Shapiro in Nashville in February 1963. Shapiro had heard English's demo in London. But the track was not chosen as an advance single from her album and by the time the album was released in October Gore's version had long since been a hit.
The Clickettes in 1959, with Barbara Jean English bottom left.
Gore heard English's demo when her producer Quincy Jones brought 200 discs for her to review in the den of her family home in February 1963. It proved to be the only demo Gore and Jones found agreeable. Gore recorded It's My Party in Manhattan on March 30.
ARMY TYPISTS
Meanwhile, further south, Cuban rebel army typists in 1959

Monday, 16 February 2015

Typewriters in the News

The Typewriter Revolution appears to be gathering pace, evidenced by a flurry of news stories relating to typewriter use.  Here are a few:
STATEN ISLAND, NEW YORK
TYPED LOVE
On SILive.com - "Watch: The typewriter is the machine of poetry at Staten Island Museum's 'Love Fest'." Travelling poet Billimarie Robinson creates poems on the spot on Valentine's Day. Typewriters, poetry and Valentine's Day made for the perfect mix at Betty's Typewriter Love Fest in the Staten Island Museum. "Betty" is minimalist artist Betty Bressi, who died last year at the age of 96. The museum has mounted a retrospective that is up until April 8.
LONDON, ENGLAND
KEY'S JOY
In The Independent - Tim Key: "I have bought a typewriter and it is a thing of beauty and joy." I bought a typewriter last week so this week's column will be about that. And, in other news, I'm also writing it on my typewriter – though I'm sure when it comes down to it my editor will insist that I 'type it up' as a Word document; we'll exchange two or three emails about this before I will fall on my sword and do as he says and send it to him as an attachment. That's for later though; right now, I'm smashing it out on my typewriter and it is very loud and the results are a bloody mess because I'm not used to it and I'm not on top of things like capital letters, and I haven't been letting the Tipp-Ex dry enough before smacking my next letter into it. It looks horrible, but it feels great. I have always loved typewriters, so this is a dream come true. I finally own one, and am literally banging out my column on it. I got this beast from a Quaint Little Shop in east London. There were a few dotted around the emporium, and I welled up looking at them.
BROOKLYN NEW YORK
APT APPS
On Bustle. "5 Typewriters (And Typewriter-ish Apps) That Are Fit For 21st Century Writers To Compose Their Masterpieces On" by Lindsay Harrison. "Ray Bradbury once said, 'the great fun in my life has been getting up every morning and rushing to the typewriter because some new idea has hit me'. And he wasn’t exaggerating. Bradbury wrote the first draft of Fahrenheit 451 on a rented typewriter in the basement of the UCLA library. He paid 10 cents for every 30 minutes of typing time, which took him nine days, or $9.80 in dimes. Less than 10 bucks to go down in literary history? Sign me up, please."
BERMAGUI, AUSTRALIA
BIRDS IN KEY
On the ABC. "A typewriter and a canary: a celebration of writing and music" by Bill Brown. The sound of Neilma Sidney's typewriter made her canaries sing. Writing and music will be celebrated at Four Winds: Four Writers, at which Ms Sidney will be joined by Nicholas Jose, Hannie Rayson and Rodney Hall. Ms Sidney is better known as Neilma Gantner, a founder of Four Winds, a festival held every two years on an outdoor stage in a spectacular bush amphitheatre near a beach south of Bermagui on the New South Wales south coast - a venue described as nature's concert hall.
BEND, OREGON
DING BACK
In the News Tribune, Tacoma, Washington. "Typewriter exhibit in Bend features art, story writing" by David Jasper. Long before the advent of tablets, laptops and, heck, fax machines, the sound of clacking typewriters, with their telltale DINGs and whooshing carriage returns, filled offices across the land. Not so much anymore. However, the nearly obsolete machines are getting some love - and a chance to make some old-school racket - this month at Atelier 6000 Printmaking Studio and Gallery in the Old Mill District of Bend. Manual typewriters including Underwoods, Smith-Coronas and Remingtons were on display when 'The Typewriter Returns!' - see what they did there? - opened during First Friday Gallery Walk.
MICRONESIA, WESTERN PACIFIC
LOST YOUTH
In Marianas Variety: "Damn the typewriters" by Zaldy Dandan. The great actor Tom Hanks likes typewriters so much that he has lent his name to an app, Hanx Writer, which is for those 'who are nostalgic for the clickety-clack of keystrokes and ‘ding!’ of the carriage return…' My first reaction was, WDP?! (I’m Filipino.) It was like hearing someone gush about the long-forgotten thrill of surgery before the invention of anaesthesia. I’ve been making a living as a writer for close to a quarter of a century now, and in college, it seemed like I had to write an essay or a term paper every day, but the only thing I disliked about the writing process was the typewriter."
FREDERICKSBURG, VIRGINIA
COMEBACK
See here on fredericksburg.com - "Typewriters are making a comeback with millennials". By Lindley Estest. There’s a new demand for old typewriters. Ronnie Stevenson, the area’s only typewriter repairman, works on a machine at his office in Goldvein on Friday. Without typing and proper repair being taught, people forget to oil the more than 2000 moving parts. He also has to replace ribbons or make his own out of calculator ribbons. Ronnie Stevenson owns 62 typewriters. That’s about 3,100 keys, 124 ribbon spools and roughly 1612 typebars. Stevenson is the last typewriter repairman left in the Fredericksburg region. Most of the machines he has are used for scrap parts. But there are two typewriters he won’t dismantle or sell for any price: a Royal carried by a doctor on the battlefields of World War II and a 1951 Hermes Baby that’s as rare as it is compact. There’s something about the manual typewriter that hearkens back to a simpler time, he said. And young people agree with him."
MADISON, WISCONSIN
GEM OR JUNK
On WMTV. "Junk or Gem: Vintage Typewriter" by Meredith Barack. Is this vintage typewriter a piece of junk, or a gem?[It] is something that many people owned decades ago, but with the invention of the computer has become obsolete. Once vital for work and school, typewriters were a staple for all households and offices, so we were curious to see if one man's vintage typewriter would be worth anything. "I brought in my grandfather's typewriter. When he was in the Army he learned how to type, in World War I. And he was a staff sergeant, so he had to type a lot of requisitions and stuff like that," explains Bill Whipple, who now owns the typewriter, "When he got back and out of service, he worked at a bank and he got this typewriter." Whipple says eventually, he took this typewriter with him to college and has had it ever since.
GUELPH, ONTARIO
ENTICING TYPER
From the Guelph Mercury. "Typewriter revival music to columnist’s fingertips" by Deirdre Healey. When I was younger and would go over to my grandparents' house for a visit, one of my favourite things to do was to sneak upstairs into my grandfather's office. I would wait until all the adults were distracted by conversation before quietly climbing the stairs and darting towards the room. Usually I was alone, but sometimes one of my siblings would catch sight of me and follow, giggling and whispering all the way. It wasn't that we weren't allowed up there. It was more that it was an office, not a playroom, so the adults thought there were more appropriate places for us to be. However, to us it was better than any playroom. There were stamps, graph paper, highlighters, sticky notes and fancy pens. But all that fun stuff wasn't nearly as enticing as my grandfather's typewriter. When you first stepped into the room, you could see it perched on top of its own small table by the window, just waiting to be played with.
PUZZLE
I have no idea why this was so, but someone took a beautiful old typewriter apart and photographed the parts. Can anyone guess what it is? Clues: It's not American, British or German, and it dates from 1911.