Tipp & Co, Mettoy and Marx Toy Typewriters: All the Work of Sammy Berger

This West German-made pressed tin-plate toy typewriter was made by TippCo, a company originally established in Nuremberg in 1912. However, it is a 1950 American design – from the 20th century’s leading toy typewriter designer Samuel Irving Berger, with 1962 improvements from his son Edwin Irving Berger.

Yesterday marked 50 years since Edwin Berger was issued with his US patent for the pivoted typehead incorporated in this Imperial A toy typewriter.

This West German version of a Mettoy model, and other toy typewriters made by TippCo between 1947 and 1971, establish a three-way link between Mettoy, the well-known British toy maker, and Louis Marx and Co, an equally famous American company.

Philipp Ullmann

Because both typewriter and toy historians – and the latter have written much about toy typewriters – have ignored the designs of these toys, they have missed this link, which can now be revealed.

Apart from the Bergers, father and son, the common bond comes through a German-born toy maker called Philipp Ullmann, born in 1883. His name is invariably spelt incorrectly (usually Philip or Phillip), meaning his life story is difficult to trace. Ullmann, or at least his family, benefitted from an involvement with the ill-fated merchant bank, Keyser-Ullmann.

Mettoy was founded in 1932 by Ullmann, who had worked for and then taken over the original Nuremberg company, Tipp & Co, in 1919. After World War II, Ullmann returned to his native Germany to re-establish the toy maker as TippCo. Many of Ullmann’s elaborate battery-operated toys were later made in Hungary and then in Japan (see the fast typing tin lady at the bottom of this post):

In a similar arrangement, Ullmann had a West German company, Pola, make toy trains under licence from one of his British companies, Playcraft, while Mettoy made many Marx toys, such as doll’s houses. 

In re-establishing TippCo in 1947, Ullmann was able to extend a business arrangement he had with Berger to have toy typewriters made by Mettoy, designs which in many cases had been originally assigned by Berger to Marx.

Mettoy also later marketed and distributed award-winning Petite toy typewriters made by Jardine in Nottingham, England.

These Sammy Berger designs for Marx in the US and Mettoy 

in England were also made by TippCo in West Germany

under different model names, such as Standard and Apex

Ullmann’s deal with Berger was necessary because of post-World War II British restrictions on toy importations. This was overcome by leasing American moulds and bringing tooling in from the US. Ullmann made additional use of the moulds and tooling in what had become West Germany. Ullmann also won exclusive British distribution rights for US toy brands, such as those associated with Berger.

Samuel Irving Berger was born Newark, New Jersey on August 9, 1889, and died in 1970, aged 81. He designed toy typewriters on commission for Marx and Mettoy (and Mettype) as well as his own companies, Berwin and Unique. Edwin Irving Berger was born in New Jersey on May 16, 1923.

There is hardly a mention of Sammy Berger on the web. An incorrect reference to him being called “Sammy Bergman” and a one-time close friend of Louis Marx, has been compounded over the years by repeated use. Readers of this post will now be able to get the story right.

Berger and Marx had a falling out in the late 1940s, over competing toy train designs. Berger, who had also been producing toy typewriters under his Berwin brand name, then started marketing toy typewriters branded by another of his companies, Unique.

Marx and Berger had previously cooperated, with Marx providing tooling to Unique and sometimes acting as a distributor for Unique's products.  In 1949, Unique began producing lithographed tin O-gauge toy trains, using tooling of its own design along with some recycled tooling from the defunct Dorfan Company. Unique sold its trains in inexpensive boxed sets like Marx. Marx saw this as a betrayal and responded with a new line similar in size to Unique's, but with lithography that looked more realistic. Unique found itself unable to compete, and withdrew its trains from the marketplace by 1951.  Marx also moved production of  toy typewriters to Japan in order to undercut Unique's price.

But getting back to Tipp & Co: It was founded by a woman we only know as Miss Tipp and a man called Carstens, with Philipp Ullmann as manager.  The founders apparently became Mr and Mrs Carstens. Ullmann succeeded Carstens as managing director in 1913, took a controlling interest, and after World War I, in 1919, became sole owner.

Arthur Katz

In 1920, the then eight-year Johannesburg-born Arthur Katz moved to Germany with his mother, Ullmann’s cousin, after his father had died. Katz completed his schooling and started work at Tipp & Co, by then established in Fürth, outside Nuremberg. In 1933, Katz, who being South African-born had a British passport, fled Nazi persecution by moving to England.

This TippCo toy was made in Hungary and later Japan

Ullmann, with the help of Lord Simon Marks (1888-1964), the founder of the British chain store Marks and Spencer, was able to soon follow Katz, taking his young family with him. Ullmann’s relationship with Lord Marks also helped enable Ullmann to establish a successful business in England, as toys were sold through the chain store.

The escape from Germany of Katz and Ullmann appears to have been planned in advance, for Mettoy was registered as a private company on August 31, 1932, but Ullmann was not appointed to the board of directors until October 10, 1933, just after his arrival in England. Trading as Mettoy started on February 1, 1934. Katz joined the board on May 27, 1936.

Back in Nuremberg, Tipp & Co was taken over by the Nazi government and placed under control of a former Bing company director. It continued to make toys, such as cars which saluted Hitler, and these proved popular during the Third Reich, but most were destroyed after the war.

In England, Ullmann and Katz set up a workshop at Winteringham’s Precision Models, an off-shoot of model train makers Basset-Lowke, on St Andrew’s Street, Northampton. Basset-Lowke relied on German-Jewish suppliers for its products, such as Carette and Bing. The profits from toy manufacturing were used in rescuing other Jewish refugees from Nazi Germany.

In February 1936 Mettoy broke away from Winteringham’s to establish its own factory on Stimpson Avenue, Northampton, moving to Harleston Road in 1937. During World War II, toy making was put on hold, but with defence contracts for Jerry can components and shell fuses, shell and mortar carriers, Sten and Bren gun magazines and landmines, business rapidly expanded. A new factory was acquired in Fforestfach, Swansea, Wales in 1944. In 1945 toy production resumed.

Pressed metal toys started to become outdated and Mettoy started using plastic and aluminium. Metal restrictions were lifted in 1955 and Mettoy took on Frank Hornby's well-established Meccano Dinky Toys. Mettoy then placed orders for mass-produced zinc diecast toy vehicles with German producers. Katz, by then managing director of Mettoy’s sister company Playcraft (acquired in 1953), put the challenge to Dinky in motion by launching the Corgi brand, naming it after a Welsh breed of dogs. The company’s chief designer was Marcel Van Cleemput.

Mettoy became a public listed company in 1963. Ullmann was chairman, Katz managing director and Ullmann’s son, Henry (born 1920), also a toy designer, a director. Meanwhile, Philipp Ullmann’s daughter, Anne Hall Grundy (below, 1926-1964), used her benefits from Mettoy and the Keyser-Ullmann bank to acquire the world’s finest collection of jewelry.

A fire at Mettoy’s Queensway warehouse in 1969 destroyed stock and retailers started returning to Dinky. Ullmann died on September 20, 1971, aged 88, and the Northampton factory was closed. Export taxes, inflation and a strong pound led to massive trading losses and resulted in Mettoy calling in the receivers in October 1983.

Katz had retired in 1976, when his son Peter Katz became managing director. Arthur Katz died on June 25, 1999, aged 91.

Keys in the Song of Life

Topless Typewriters – A New International Trend

What have I started? My last post on typewriters on eBay mentioned a portable for sale with no ribbon spool cover – something the seller had somehow just overlooked or neglected to mention.

Within days, a number of typewriters began to appear on eBay without ribbon spool covers – and in only a few cases was this vital bit of information pointed out to potential buyers.

Here’s one example, which the seller is saying is a Pinnock made in Holland (?) – although how he or she knows that is not indicated. There appears to be no name or country of origin badge anywhere.

So far there have been no bids at $14.99. But the description is enticing:

“Please take your time to look at the pictures taken in natural light as this forms part of the description." Umm, run that past me again!?

"This typewriter would look fantastic in any retro-inspired home. Housed in it's [sic] original case, this typewriter also comes accessorized with a cover. A preloved vintage item, this typewriter shows wear and tear in accordance with its age. Cosmetically, in good condition, however, missing is the cover that goes over the hammers, doesn't effect the typewriter at all though. [One could probably get away with saying that about a Rexina, Adwoa!]

"Functionally, the typewriter seems to work well- I tested it by typing each key once (and once only- I didn't want to waste too much ribbon!). Overall, this typewriter is in a very good-excellent vintage condition. Be sure not to miss what a fantastic statement this typewriter would make to any gorgeous home!" A coverless plastic fantastic in a retro-inspired home? Yeah! Why not?

This Olympia Traveller Deluxe S is listed for $29.99 in the US. “Original 1970's Typewriter With Carry Case. In Great Condition! And Excellent Working Oder [does the seller mean odour? It smells as it works?!] However, it does need a new ribbon.

“The manual typewriter stopped production last year, the Indian firm ‘Godrej and Boyace’ [sic] announced its closure in April last year. This has created a real buzz from collectors and as a result made the classic typewriter a great future investment, they will slowly all disappear in to collections and become an item of rarity.This is a perfect investment & usable item and will put a smile on a collectors face. This one is missing the plate which covers the ribbon area.

“Perfect as a gift, especially for Valentine's Day!!!”

Do people in the US celebrate Valentine’s Day at a different time of year from the rest of the world?

For $90 one can buy a “rare [!] and working vintage Adler T-A Vertriebs-GmbH Portable Typewriter', Actually, it's a Tippa, and the seller would know that if it had its ribbon spool cover. "Photos is the actual item and will be sold 'As-Is'.” No mention of the missing ribbon cover.

Same thing, at 99c, for a Hermes electric – except in this case someone actually bought it!

There have been no bids yet at $29 for this “Cool Retro Brother 3912C Portable [?] Electric Typewriter – “In working order except for the ribbon needing a re-ink." It takes cartridges, not a ribbon, and cartridges might be a bit hard to "re-ink". Better still, one wouldn't see the cartridges if it had a cover.

Over on TradeMe in New Zealand,  someone has listed this Olympia Splendid. “A delightful vintage/retro ornamental typewriter (I have no idea if it still goes) with plastic cover. It has Olympia Werke Ag. Made in Germany on the underside. The bottom plate it sits on comes loose however this is not important if you are not moving it around and want a display piece. Highly sought after pieces in vintage and retro homes.”

But perhaps a missing ribbon spool cover and a loose bottom plate aren't all that important after all. Especially when there is nowhere to put the ribbon spools, anyway. How about this item listed in NZ? “Imperial 66 typewriter as seen on photo. `Frame` is missing.” Not to mention the carriage!!! At least it’s still got its dust cover!

Or this Hermes 3000: “Old green typewriter.” Ever thought to have a look at the name. It's on the front there, centre of photo. Now, slowly, after me, "H ... e ... r ... m ..." Just as well they can play good rugby over there.

This Erika on Australian eBay has had no bids so far at $50. The positioning of the carriage for the photo unnerves me somewhat. As does the sideways photo trying (and failing) to focus on the “J” key (though it's not mentioned in the description). That’s off an Underwood, isn’t it?

But wait one momento … the unnerving carriage position may not effect a sale. Take this Corona 4, which sold for $52 in Australia after 19 bids. It was pick-up only, fortunately, as I can’t imagine how it might have been packed and posted in this condition:

“I have here an original Corona Four Portable Typewriter, in its original Box, A friend gave it to me many years ago.  The box is in not bad condition, the typewriter I have no idea how to use, it seems to be stuck to the right.  I have no use for this old momento [sic].”

On the basis of this sale, it’s no wonder optimism continues to ride high – and it seems the new buzz words, replacing “funky” and "atomic”, are “baby” and “art deco”.

This Remington Envoy III series model, believe it or believe it not, is listed for $199!:

“Vintage Retro BABY ART DECO BLACK REMINGTON REPORTER TYPEWRITER. These are OLD and Collectable. The item looks Art Deco to me with the stylish shiny black top with its sharp edge. Its [sic] a really great piece. So compact it was made without the No 1 button, you have to use the letter ‘L’.” At a rough guess, I'd say Art Deco ended at least 20 years before this machine was made.
OK, so you were tempted to look at this post because you thought you might see a topless typewriter writer. All right then, here you are: