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Tuesday, 6 December 2016

David Bowie's Olivetti Valentine Typewriter Sells For $A74,263

David Bowie's Olivetti Valentine portable typewriter sold at an auction at Sotheby's in London last month for a staggering £45,000 - that's $74,263 Australian and $56,565 United States money. But it's still far from a record for a typewriter, which belongs to Cormac McCarthy's Olivetti Lettera 32, sold at Christie’s for $US254,500 (£199,919 or $A341,511 at today's rates) in December 2009, and Ian Fleming's gold-plated Royal Quiet Deluxe, sold at Christie's in May 1995 to Irish actor Pierce Brosnan for £56,250 ($US71,606, or $A96,058 at today's rates). Mind you, Sotheby's had estimated Bowie's Valentine would fetch between £300 and £500 ($495-$825 Australian or $377-$629 US).
The Valentine was part of the auction of Bowie's personal collection of fine art and design pieces. The auction grossed $US41.1 million (the art collection sold for $US30.2 million and the design collection for an additional $US10.8 million). The works sold represented about 65 per cent of Bowie’s total collection. The rest remains with his family and estate. 
Bowie was obviously keen on Ettore Sottsass designs. The salt and peppers shakers sold for £7500.
 An eye-catching custom radio-phonograph by Pier Giacomo and Achille Castiglioni Brionvega from 1965 sold for £257,000 at Bowie's auction.
 Bowie at a much more practical if more prosaic Smith-Corona typewriter in Los Angeles in 1975.

Monday, 5 December 2016

Cruisin' 'n' Typin'

The Emerald Princess under the Sydney Harbour Bridge
Sydney typewriter collector Richard Amery has returned from a cruise on the Emerald Princess to earthquake-rattled New Zealand, in good time for next week's Great Sydney Typewriter Gathering (December 14). Richard never misses a trick when it comes to typewriters - or a day without using one - and naturally he took a machine with him (an Olivetti Lettera 22 portable) on his voyage to the Shaky Isles. Here is a typecast from a letter he sent me:
The Emerald Princess in Sydney Harbour
The Emerald Princess in Milford Sound, New Zealand
 Richard Amery, centre, and Terry Cooksley, right, admire a Blick Ninety
now owned by Richard Polt.
Another typewriter collector headed for the Great Sydney Typewriter Gathering is Jasper Lindell, seen here marking the anniversary of the infamous "Dismissal" on the steps of Old Parliament House in Canberra. "It's Time" all right - for the biggest typewriter event in Australia ever!

Monday, 28 November 2016

The Tasmanian and the Revolutionary: Swashbuckling Errol Flynn and Fidèl Castro

Toward the end of his debauched life, fading Tasmanian-born Hollywood star Errol Flynn spurned the swords and the green tights, grabbed his Royal portable typewriter and headed for Havana for Hearst Newspapers.
He arrived in Cuba with photographer Bill Crespinell just as Fidèl Castro’s rebels were preparing to sweep down from the Sierra Maestra to topple the corrupt Batista dictatorship. “He was in the fighting zone as a kind of war correspondent,” Castro later told the Los Angeles Times. Flynn's stated rationale? "Ever since boyhood I have been drawn, perhaps romantically, to the ideas of causes, crusades. I wanted to see what makes an idealist tick." And his finding? "Anyone with intelligence is a Communist at 20, anyone who's a Communist at 40 is a fool." But was the real reason an attempt to butter up to Castro to save his investment in a Havana movie theatre, post-revolution?
Flynn stands beside Che Guevara listening to Castro in Sierra Maestra
Flynn wrote features headlined "Me and Castro" and "I fought with Castro" for the New York Journal-American after a mere five days, from Christmas Day 1958, in the mountains with Castro. "I feel that the citizens will know who you are ... and it will cheer them to know that someone from the United States, whom they perhaps have seen on the screen, is interested enough to come and see them," Castro told him. In return Flynn gave Castro lessons in public speaking.  
Flynn stayed long enough to see Castro sworn in as Cuban president in February 1959. Back in the US, he appeared on CBC’s Front Page Challenge and naively defended Castro. Nonetheless, his documentary, The Cuban Story, which played once in Moscow and was then lost until a print turned up in 2004, has become one of the key accounts of Castro's revolution. Flynn died in Vancouver, aged 50, on October 14, 1959.

Friday, 25 November 2016

My Kinda Gal: I Stopped Typing for a Bump on the Stairs with Sarah Miles

Above: Screenwriter Robert Bolt at his Olympia in 1966.
Below: A much older and feebler Bolt with his wife Sarah Miles (they married twice). A fall down the stairs by Miles in 1967 fall didn't disrupt Bolt's typewriting.
In 1967, English actress Sarah Miles decided to marry screenwriter Robert Bolt, based purely on Bolt's single-minded devotion to his Olympia semi-portable typewriter. Now there's one sensible lady!
Miles and Bolt were living together when Miles took a tumble down the stairs. "Robert was typing in the sitting room and I fell down harshly, bang, and twisted my ankle," Miles recalled. "His typewriter never changed rhythm and I thought, ‘This is the man I'm going to marry'. Until then I'd been suffocated by men." Miles said she was attracted to Bolt's implacable self-discipline and dedication to work - and to his typewriter.
Miles with Irish actor Cyril Cusack, my one-time housemate.
Miles, who turns 75 at the end of this year, played Patricia in Michelangelo Antonioni's Blow-Up (1966) and Vera in Joseph Losey's The Servant (1963). But she is probably best remembered for her Oscar-nominated title role as Rosy Ryan in the 1970 David Lean movie Ryan's Daughter, written by Bolt. It was filmed on Dingle Peninsula in County Kerry in Ireland. A few years ago I returned to Dingle and followed Miles' footsteps down Coumeenoole Beach there. But it was by no means the closest I'd ever come to this delectable and quite fascinating lady. I used to share a house in Dublin with Irish actor Cyril Cusack (the house belonged to his ex-wife), a close friend of John Mills, who won an Oscar for his role as the simpleton Michael in Ryan's Daughter. Miles once visited Cusack and I encountered her on the stairs - I DID disrupt my typing to do so, but she DIDN'T take a tumble!
Above, Miles as Rosy Ryan on Coumeenoole Beach at Dingle in Ryan's Daughter. Below, me looking down on Inch Strand in 2010. Below that is Australian actor Leo McKern playing Ryan, at the wedding of his "daughter" [Miles] to Robert Mitchum.
Bolt (1924-95) wrote and directed the 1972 film Lady Caroline Lamb, in which Miles played the eponymous heroine, the lover of Lord Byron and wife of William Lamb, 2nd Viscount Melbourne (later Prime Minister). He also wrote the screenplays for Lawrence of Arabia, Doctor Zhivago and A Man for All Seasons, the last two of which won him Oscars.
In 1979 Bolt suffered a severe heart attack and stroke which left paralysed down the right side of his body. He could not walk or talk for two years, and he was never able to use his typewriter again. He replaced the Olympia with a word processor and taught himself to tap out screenplays with his left hand.

Thursday, 24 November 2016

The Great Sydney Typewriter Gathering

Excitement is mounting to fever pitch as we enter the last three weeks before the Great Sydney Typewriter Gathering on December 14. It won't so much feel like Santa has arrived early, as like all of our Christmases have come at once!
This unique event will bring together, for the first time, typewriter technicians Phil Card, Warren Ingrey and Terry Cooksley of Sydney, Melbourne's Michael Klein (an occasional contributor to this blog) and Canberra collector Jim Franklin, who once worked here for Sydney Pincombe Pty Ltd.
These five typewriter wizards will joined on December 14 by renowned collector Richard Amery, just back from cruising around earthquake-shaken New Zealand, and Charlie Foxtrot owners Phil and Julie Chapman, plus their new business partners. In an attempt to further lower the average age of attendees, another typewriter collector going to Sydney will be the brilliant young Canberra journalist Jasper Lindell. So the occasion promises to be one for the ages.
Also invited to this first-ever national typewriter gathering is technician-collector David Lawrence of Auckland, New Zealand, whose presence would turn an already mouth-watering event into an international one. Here's hoping he can make it, otherwise I'll have to wear the Kiwi colours myself. Either way, a never-to-be-forgotten day of typewriter talk and typewriter action is assured ... the Mother of All Typewriter Gatherings Down Under.
 Warren Ingrey
 Phil Card, left, and Richard Amery
 Terry Cooksley
 Michael Klein
Jim Franklin
 Jasper Lindell
Julie and Phil Chapman

Sunday, 13 November 2016

Ticking All The Boxes

One-time Cincinnati lass. the 4ft 9in tall Brenda Lee, and, left, Benny Green.
My L.C. Smith No 8
Who connects an L.C. Smith No 8 with Tom Furrier of Cambridge Typewriter, Wisden cricket almanacks,
P. G.Wodehouse, Cincinnati and my Top 12 all-time music heroes: Jerry Lee Lewis, Carl Perkins, Chuck Berry, Little Richard, Ben E. King, Bo Diddley, Ray Charles, The Beatles, Bob Dylan, Van Morrison, Eric Clapton and Jeff Beck? Surely someone very, very special indeed …
Dominic Green
B
ACK in 2010, James Buchan wrote in a Guardian review of the book Armies of God: Islam and Empire on the Nile, 1869-99 - The First Jihad of the Modern Era that author and jazz guitarist “Dominic Green's qualifications for writing about the Mahdist state established in Sudan between 1881 and 1898 are a degree in English from Oxford and a stint playing guitar behind Dionne Warwick. It proves a model education.”
In the six years since, Green has ticked even more boxes, and become, at least in my eyes, a model citizen of the world.
Bernard Whimpress
My friend Bernard Whimpress of Adelaide, one of Australia’s leading book reviewers, has pointed me in the direction of Green’s article “The Pulpit” in last month’s edition of the Literary Review. Green opened the piece by revealing he’d written it using a L.C. Smith No 8 standard typewriter. Green, who lives in Cambridge, Massachusetts, then went on to say he’d bought the machine from none other than Typospherian Tom Furrier of Cambridge Typewriter, Arlington MA.
Digging a little deeper into the life and times of Dominic Green (1970-), I found he is the son of legendary British saxophonist Bernard “Benny Green (1927-98) and the brother of another remarkable saxophonist, Leo Green (1972-). These family ties link Dominic Green with all of the above.
For me, the pinnacle of Benny Green’s achievements was that he was a member of that wonderful late 50s British band Lord Rockingham’s XI.  The name of the group is a clear pointer to Green’s passion for cricket, and sure enough Benny edited and published the Wisden Anthologies, a summary of the famous cricketing annual. These four volumes cover the highlights from Wisden Cricketers' Almanack from its inception in 1864 until 1989 and stand as a major milestone in cricketing literature.
Lord Rockingham's XI was the house band on ITV's rock 'n' roll show Oh Boy! Its biggest single success was one of those long forgotten one-hit wonders, Hoots Mon, which reached No 1 on the British charts for three weeks in November-December 1958. Another track, Fried Onions, made the US Billboard Top 100. Lord Rockingham's XI  backed Marty Wilde, Cuddly Dudley and Cincinnati’s Brenda Lee (1944-). (Well, I say Cincinnati for obvious reasons, though the 4ft 9in tall Lee, as Brenda Mae Tarpley, lived there only briefly in the mid-50s - she was actually from Atlanta, Georgia. In Ohio she performed at the Jimmy Skinner Music Center.)
Tom Furrier at Cambridge Typewriter
Hoots Mon is a rocked-up version of the traditional Scottish song A Hundred Pipers, complete with such stage Scotticisms as “Hoots mon” (the Australian version of which is “Gidday, mate, how they hangin’?”), “och aye” (yes), "It's a braw, bricht, moonlicht nicht tanicht" ("It's a fine, bright moonlit night tonight") and “there's a moose loose aboot this hoose [about this house]".
P.G.Wodehouse
Benny Green loved the work of P. G. Wodehouse and wrote a literary biography about Wodehouse – who gets a mention in Dominic Green’s Literary Review article. As a keen student of English literature (at St John’s College, Oxford), a musician and an author, Dominic Green closely followed in his father's footsteps. He also studied the history of religion at Harvard.
Leo Green
      Similarly, his younger brother Leo Green became a musician, broadcaster, producer, actor, musical arranger and concert promoter. Leo played sax for Jerry Lee Lewis and was long-serving a member of Van Morrison's band. By the age of 30, he had worked with Ben E. King, Bo Diddley, Bob Dylan, , Carl Perkins, Chuck Berry, Dionne Warwick, Elvis Costello, Eric Clapton, Georgie Fame, James Brown, Jeff Beck, Lionel Richie, Little Richard, Paul McCartney, Ray Charles, Ray Davies and Ronnie Wood, to name but a few. Leo Green was the musical director and conductor for Burt Bacharach and Hal David during their show at the Royal Albert Hall. 
      And so, just to summarise, Dominic Green ticks all my boxes because:
1. He likes typewriters.
2. He uses a typewriter.
3. He has met Tom Furrier.
4. His dad loved cricket, edited my favourite cricket books, and wrote about Wodehouse.
5. His dad played on Hoots Mon
6. And his brother has recorded with all 12 of my all-time music heroes.
Enough said?
Ring Lardner
Donald Barthelme
Richard Wilbur