The single How to Make Gravy is these days considered “The iconic Aussie Christmas song”, “the quintessential Australian Christmas anthem”. The songs we grew up with talked of a "White Christmas", and were tunes to go with cards emblazoned with snow - never very appropriate at the height of our summers, even with La Niña. How to Make Gravy tells of Joe, an imprisoned man, writing a letter to his brother Dan, lamenting that he will be missing the family's Christmas celebrations and not being there to make the gravy to go with the roast. During the pandemic, the song has taken on a new meaning for families and friends separated by border closures. This year’s music video of the song featured clips of people around the world telling their loved ones they miss them. The Sydney Morning Herald said, “For the uninitiated, the soundtrack to the silly season might mean Mariah Carey warbling that ‘all she wants for Christmas is you’ but for those in the know, for those who understand the true meaning of the holiday, there is only one song that matters.”
As much as I enjoy listening to Kelly’s songs, I feel an added affinity because his backing group from 1989-91 was called The Messengers. Kelly, who turns 67 next month, grew up in Adelaide, settled in Melbourne in 1976, moved to Sydney in 1985 and returned to Melbourne in 1991.
Perhaps unwittingly for the singer-songwriter, Kelly’s How to Make Gravy seems to
have taken on a life of its own, almost separate from his hugely impressive overall body of work. In that it reminds me of The Pogues’ Fairytale of New York, featuring Shane MacGowan and Kirsty MacColl on
vocals. Although this single has never been the British Christmas No 1, it has reached
the British Top 20 on 18 separate occasions since 1987, including every year at
Christmas since 2005. It’s the most-played Christmas song of the 21st century
and is frequently cited as the best Christmas song of all time in various
television, radio and magazine-related polls in Britain. Helen Brown of the
London Daily Telegraph wrote of it, “In careening wildly through a gamut
of moods from maudlin to euphoric, sentimental to profane, mud-slinging to
sincerely devoted in the space of four glorious minutes, it's seemed perfectly
suited to Christmas, a time which highlights the disparity between the haves
and have nots around the world. Those of us lucky enough to spend the day with
friends and families by a cosy fire with a full stomach think of the lonely,
the homeless and the hungry.” It has, in other words, echoes of How to Make
Gravy.
1 comment:
Robert, I greatly enjoyed the article you wrote, it’s heads and shoulders above the usual stuff that passes for music reviews these days. Well done.
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