Diane, your friends are wrong.
They have been affected by the scepticism of a sceptical age.
They do not believe except they see.
They think that nothing can be which is not comprehensible by their little minds.
- with apologies to Francis Pharcellus ChurchSix days earlier, almost to the hour, I had been tempting the typewriter gods by scoffing at a suggestion in that morning's The Sydney Morning Herald, that in 1927 J.R.R.Tolkien (Lord of the Rings) had bought himself a "Varitype" typewriter. Happily, I saved myself a few blushes by checking and finding out that Wim Van Rompuy had a manual Varityper on his typewriter.be website.
And then on Friday, the charming Melbourne typewriter collector Diane Jones and her partner Steven Harrison breezed down my chimney, like a refreshing early Santa and his helper, and presented me with the conclusive evidence - a gift of my very own Varityper manual typewriter. (All this just a week after I had acquired a Varityper headline setter.)
In the case of Wim's machine, it is Folding model built according to Hammond patents. It is, in other words, pretty much a straightforward Hammond under another name
Later I recalled that Georg Sommeregger had come across a Varityper in Cologne almost exactly a month earlier. In the case of the Varityper Georg photographed, it has the pitch-switch on the side, the brittle Doler-Zink of Brooklyn castings and the dinky little platen knobs, both sides, the same as mine. Except mine is set to toggling from 10- to 14-characters per inch, as opposed to 10 to 12-CPI.
There is also a pitch-switch on the Varityper from the Virtual Typewriter Collection of Enrico Morozzi on the Typewriter Database.Pitman's Dictionary of Typewriting explains how this works:
It was sold by Harrison & Flower of Birmingham in England:
The keyboard is really interesting:
Following the death of James Bartlett Hammond in 1913, Neal Dow Becker (1883-1955) ran the company, which had been bequeathed by Hammond to the New York Metropolitan Museum of Art (with the assets estimated as being worth $800,000). Becker tried valiantly to revitalise Hammond by restructuring and refinancing it in 1921, but things began to go downhill and in January 1922 the Corporation Trust Company was authorised to transfer its stock. Hammond was merged with the office supplies corporation, Kroy Typewriter, which had been established only days earlier.
Becker packed up and left in 1924. The end for the original company came with a devastating fire on June 23, 1926, which raged from 42nd to 90th streets in Manhattan and engulfed most of Yorkville and the East Side, including the Hammond factory on East 69th Street. The fire caused $500,000 in damage and stripped Hammond of much of its remaining assets.
Fred Hepburn's passport photoWhat was left, notably patents, was acquired by civil engineer and investment banker Frederick Taylor Hepburn (1873-1956), who established the Varityper Corporation. Hepburn was a wealthy property owner and highly successful financial speculator who had special interests in Pennsylvania and Ohio power systems. Hepburn saw potential in the Hammond as an typesetting machine and had both manual (1927, with Wheeler's variable carriage feed mechanism) and an early electric version of the Varityper (1929, largely through Frank Harris Trego's designs) produced.
He then sold out to Oakland-born Ralph Cramer Coxhead (1892-1951) and the electric model was extensively developed by first Trego (1873-1967) and then Charles W. Norton (1890-1952). The rest, as they say, is history.
By the time Hepburn died, his contribution to all this had long been forgotten. In fact, by 1935, the Hammond was already being described as a "relic" and an "antique typewriter".
Becker, meanwhile, went on to run Intertype (which developed the Vogue typeface) from 1926 until 1952.
At Intertype, Becker was joined in 1927 by an old Hammond colleague, Herman A. Peterson: