PART 171
I’m
bending the rules a bit here to take a look at this 1955 Bently Pratt Raak design
for an upgraded Vari-Typer composing machine, but as one of these is coming up for sale on
Australian eBay tomorrow, the opportunity is too good to miss.
The Vari-Typer for sale
Under
Raak’s re-design, the Vari-Typer developed a wide-eyed comical face with a big cheesy grin, and that’s no
doubt what some lucky Australian eBayer should have on his or her face tomorrow
evening. As the seller says, “You can roll an A3 sheet up inside this machine
and make up an A3 newsletter.” It comes with carbon ribbons and typeshuttles.
Although
the starting price was $30 and there has only been one bid so far, I have to
confess I baulked at the probable cost of shipping this monster from Victoria. Plus I have
no room for it. But I’d love nothing better than to try out a Vari-Typer just
such as this.
Early Office Museum
I know people who have used them for typesetting student union newspapers and the like, and they swear by the Vari-Typer.
Early Office Museum
Raak,
best known as a professor of typographical design at Syracuse University, and
himself a type designer, was in an inventive mood in 1955. Apart from this
new-look Vari-Typer, he also worked with Edward Harris Billet on this elaborate
automatic camera apparatus for the Var-Typer Corporation of Newark. It was designed
for making up printed copy, or photolithography, or photo composing if one prefers
(a bit like photocopying).
As for
the revamped Vari-Typer, however, Raak was only too happy to acknowledge that the
nuts and bolts of the machine were “old art” – possibly even dating back to James
Bartlett Hammond and Edward James Manning in the 1880s. Raak, indeed, pointed
out the printing mechanics of the Vari-Typer should be credited to Frank H. Trego
in 1931 and to Charles H.Fuchs in November 1932 (close to being on this day of November 10). The patents of these two mechanical engineers were assigned to Oakland-born Ralph Cramer
Coxhead, who resurrected the Vari-Typer during The Depression era.
In giving
a new face (and more) to the Vari-Typer, Raak created one of the last and most
recognisable appearances of this marvellous typesetting typewriter.
The previous, 1948 version of the Vari-Typer
Bently
Pratt Raak was born in Paullina, Iowa, on September 24, 1904 ("next door to a printing plant"). He graduated from
the South Dakota University with a degree in journalism, but instead of going into newspaper
work he joined Coxhead in New York. Raak was chief type designer for Vari-Typer
from 1937 until 1975, a remarkable 38 years. During that time, many of the
typefaces with which Vari-Typer users are most familiar were Raak's creations.
In a 1975
interview, Raak said that the typeface popular at the time of the advent of the
typewriter, including the Vari-Typer’s predecessor, the Hammond, was called “square
serif”, and that the most successful typefaces he developed for Vari-Typer were “skinnier
versions” of this.
In March 1940
Raak also joined Syracuse University’s School of Journalism as an instructor in
typography design. He had a close working relationship with the great
Frederic William Goudy, coming to be regarded as Goudy’s protégé.
Raak
wrote three books on typefaces, Typography,
the Graphics of Communication (with a contribution from the Goudy
Collection) in 1970, The Development of Printing Types in
1967 and Vari-Typer Type Faces: A Guide
to Better Typography (1965).
Raak died
in Chatham, New Jersey, on September 1, 1978, three weeks before his 74th birthday.
Goudy was born in Bloomington, Illinois, on March 8, 1865.
He became America's third most prolific
type designer (behind Morris Fuller Benton and R. Hunter Middleton), with 90
faces actually cut and cast, and many more designs completed (122 in all). His
most famous fonts were Copperplate Gothic (one of my favourites) and Goudy Old Style.
Goudy
died in Marlborough-on-Hudson, on May 11, 1947, aged 82.
Early Office Museum
See my post on the history of the Vari-Typer here.
6 comments:
I couldn't use that. Those eyes...
There's a nice green Varityper DSJ on US eBay that has me dreaming. No, I can't handle such a monster either, but I am curious. (The DSJ stands for Differential Spacing - Justifying and I know it can do beautiful work.)
Rob, I've been eyeing that machine too! I've even had that moment of... "Now, how can I get that up here".
Whenever I read an article about VariTypers, I realize how much I want to have one. Unfortunately I haven't seen a single one yet in Hungary.
I taught and demonstrated V/Typer products during the sixties in Scotland. Your blog brought back many happy memories
And ten years later this post, like many on this blog, is found thanks to Google Search! I am fixing a VariTyper 610 F at the moment and it's wonderful to know the name and background of people involved with the creation of this technology.
One interesting aspect of this VariTyper model is that the case, as it is called in the service manual, or body of the machine, is mostly decorative (although various levers go through it). You can take the machine out of the case to access a "naked" machine for servicing. This is a fairly different design compared to the older Varityper models that had only a small front body panel attached to naked machine, following the design of the Hammond Multiplex.
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